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Copperplate · Mariko and Swan 1990s Baroque Engraving Print Rayon Shirt

A$110.00



Mariko and Swan, Australia · soft brushed black rayon · baroque engraving print in blush and rose · pointed collar · breast pocket · buttoned barrel cuffs · tagged a vintage 12, modern AU 10–12 · 1990s · L 71cm flat · very good condition · dry clean or careful cold hand-wash

The print looks lifted from an engraver's folio: rosettes, acanthus scrolls and cabbage roses rendered in fine crosshatched lines, each motif floating on black like a plate torn from a baroque pattern book and scattered across the cloth in blush and dusty rose. A pointed collar, a breast pocket cut so the pattern keeps drifting across it, small black buttons down the placket and again at the barrel cuffs of the long sleeves.

She is a 1990s shirt to her bones. The label reads Mariko and Swan, in the hand-drawn lettering small Australian houses favoured, with the centimetre-based size tag of the era sewn beneath. The label has all but vanished from the record, which is its own kind of provenance. Australia in that decade was full of these small labels, cutting good rayon in city workrooms, selling through boutiques, keeping no archive. Their surviving pieces are the only documentation they left, and they are almost never seen twice. The decade loved this trick too, raiding the archive of European ornament and printing it oversized on fluid black cloth, equal parts library and nightclub. The cloth is rayon, soft and faintly brushed, with a fuzz you feel more than see. Rayon takes a print like this with more depth than silk would, drapes close, and softens further with every wear.

Care

the label says dry clean only, and dry cleaning is the cautious road. She can also be hand-washed in cold water, gently and briefly, never wrung, then hung to dry away from sun. Rayon is weaker when wet, so handle her like she has had a long day. Cool iron on the reverse while slightly damp.

More on looking after vintage pieces in our care guide.

Size

Measured flat: length 71cm, bust 57cm, waist 58cm, the sleeves 55cm long and 24cm wide. Tagged a vintage 12, and cut straight and easy through the body: on a modern AU 10–12 she sits exactly as intended, with room in the drape either side.

Our size guide explains how vintage sizing is read here.

Condition

very good. The print is sharp with no fading along the collar and cuff edges where sun finds a shirt first, and every button is present, including the cuff pair.

Our condition lexicon explains the grades we use.

Before it reaches you

Someone loved this before you did, and I try to honour that properly. Each piece is hand washed, or cleaned in the way that the fabric permits, then steamed until it softens and straightens and feels newly attended to. Wherever a button was missing, it has been replaced with a vintage one from my long-kept collection. Wherever a hem had given way, I fix it by hand. By the time it leaves this room it is genuinely clean, pressed, whole, and looked over one final time before I let myself believe it is ready. Not restored. Not made new. Just returned to a state where it can be loved again, by someone who was not there the first time.

Every rosette on this shirt was once a plate in a book nobody returned to the library, and the fines have been compounding since the baroque. The shirt considers herself paid in full. Button her to the throat and you become mildly untraceable, in the way of footnotes and second courtyards. The pocket holds exactly one secret at a time. Choose it carefully; she keeps whichever one you give her.