caitiedid

Care Guide

How to Look After Beautiful Things

Second edition, expanded;

On washing, storing, and wearing the fabrics, leathers, and embellishments you love

 

Every fabric has a preference. Not a rule; preferences are gentler than rules, more interesting to negotiate with. This guide exists to help you understand what each cloth, leather, and embellishment would ask for if it could speak.

Silk

charmeuse · chiffon · crepe de chine · habotai · dupion · raw silk

Silk is made from the cocoon of the silkworm and has been coveted for five thousand years, long enough to have developed very strong opinions about how it should be treated. It rewards gentleness with an almost embarrassing loyalty. Mistreat it and it will tell everyone.

Washing

Hand wash in cool water with the smallest possible amount of a pH-neutral soap (a drop, not a pour). Submerge, swirl once or twice as if persuading rather than insisting, then rinse in water of exactly the same temperature. Silk contracts in shock; thermal change is its nemesis. Never wring. Lay flat in a clean towel and roll, press gently, unroll. Dry cleaning is always a dignified option and, for heavily structured or beaded silks, the only one.

Storing

Fold loosely in acid-free tissue or hang on a padded hanger (never wire). Store away from light; silk is photosensitive and will shift colour with prolonged exposure. Do not store in plastic, which traps moisture and encourages subtle deterioration that only reveals itself years later.

Wearing

Silk rewards a light touch: no rough jewellery at the cuffs, no handbag straps pulling across the same spot repeatedly. Perspiration is silk’s quiet enemy; a silk camisole underneath buys the outer layer considerably more life. Allow silk to rest between wearings; it springs back from creases with remarkable willingness if given the chance.

Wool

merino · lambswool · shetland · tweed · bouclé · crepe · gabardine

Wool is, at its core, hair; and like hair, it has a memory, a preference for its natural state, and a fierce objection to being boiled. The finest wools are essentially the same fibre as coarser tweeds, just from younger or smaller animals. Treat each according to its weight and your relationship with it.

Washing

Most wool prefers not to be washed at all in the traditional sense; a gentle airing will resolve most situations. When washing is necessary, hand wash in cool water with wool-specific soap, pressing the garment through the water rather than agitating it. Agitation is what felts wool; felt is irreversible. Never wring, never twist, never persuade. Roll in a towel. Dry flat, reshaped to its original dimensions while still damp.

Storing

Fold, do not hang: hanging stretches the shoulders of knits into something resembling a question mark. Interleave with cedar or dried lavender. For long-term storage, clean the garment first (moths are drawn to body oils, not the wool itself) and fold in acid-free tissue inside a breathable cotton bag. Never plastic.

Wearing

Wool pills from friction: the inner arm, under the bag strap, wherever two surfaces meet repeatedly. A cashmere comb or sweater stone, used gently, removes pills without damage. Tweed and heavy wools are more forgiving; they were designed for a life spent outdoors in unpredictable conditions and maintain this attitude magnificently.

Cashmere

finest grade · blended · double-faced

Cashmere comes from the undercoat of the Changra goat, combed in spring when the animal sheds naturally. A single goat produces perhaps 150 grams of usable fibre per year. This is why it costs what it costs, and why it deserves what it requires. Good cashmere softens with washing, with wearing, with time. It becomes yours.

Washing

Hand wash in cool water with baby shampoo or specialist cashmere wash, no more than once a season if you can help it. Between washes, air the garment overnight outside (not in direct sun) after wearing. Press gently through the water. Never rub, never wring. Dry absolutely flat. Cashmere is at its most vulnerable when wet.

Storing

Store folded in breathable cotton or wrapped in tissue, with cedar nearby. Cashmere stored in a cedar-lined drawer is cashmere that lasts decades. Cedar must be replaced or sanded periodically; its oils are what deter moths, and those oils dissipate over time. De-pill at the end of each season before storage.

Wearing

Wear cashmere against clean skin or over a silk camisole; repeated contact with perfume, body lotion, and perspiration is what degrades the fibre fastest. Rotate pieces; cashmere needs at least a day’s rest between wearings to spring back fully.

Linen

plain weave · herringbone · damask · chambray · stonewashed

Linen is made from the flax plant and is arguably the oldest textile in continuous use; fragments have been found in Swiss lake dwellings dating to the Neolithic period. It is structurally brilliant: stronger than cotton, naturally temperature-regulating, genuinely antimicrobial. Its crumpling is not a flaw. It is the point.

Washing

Linen is one of the most washable of fabrics; it can take a machine wash on a cool or warm cycle, ideally inside a mesh bag. For antique or very fine linens, hand wash in cool water. Linen softens and improves with every washing. Do not tumble dry on high heat; lay flat or hang while still slightly damp.

Storing

Store clean; linen is susceptible to mildew if stored damp or dirty. Fold along natural creases where possible. Store in a cool, dry, ventilated space. White linens will yellow over time if stored in plastic; cotton or linen bags are far better companions.

Wearing

Linen creases. Accept this. A linen dress worn for an hour will look as though you have been living your life in it, which is exactly the correct impression. Steam is kinder than a dry iron and less likely to leave shine on slubby textures.

Cotton

poplin · lawn · broderie anglaise · denim · corduroy · voile

Cotton is the great democratic fabric, worn by almost everyone everywhere, in almost every climate and century. Its range is extraordinary: from the weightless lawn of an Edwardian nightgown to the uncompromising density of selvedge denim. Care varies accordingly; treat cotton lawn as you would a nervous creature, and denim as you would a beloved working dog.

Washing

Most cottons wash beautifully in cool to warm water. The exception is fine, antique, or embroidered cotton; these prefer a cool hand wash and to be handled as rarely as possible. Dark cottons should be washed inside out in cold water to preserve colour. Cotton velvets and corduroys must be washed with care and dried with the pile brushed in the correct direction.

Storing

Cotton stores easily: clean, dry, in a breathable environment. White cotton will yellow with age and with contact with acid-containing materials; store white pieces in blue acid-free tissue if you want to preserve them precisely.

Wearing

Cotton is forgiving to wear but can show perspiration staining over time; rinsing a cotton garment in cool water immediately after wearing, before it dries fully, prevents most permanent staining.

Velvet

silk velvet · cotton velvet · devore · crushed · panne

Velvet is pile fabric (its surface is made of cut loops of fibre standing upright), and this is both its beauty and its particular set of demands. The pile has a direction; run your hand one way and it looks rich and dark, the other and it lightens. This is not inconsistency. This is velvet being itself.

Washing

Silk velvet: do not wash. Dry clean only, and find a dry cleaner who actually knows about it. Cotton velvet can be hand washed in cool water, turned inside out, with minimal agitation and no wringing. The pile must be dried in the correct direction. Steam is velvet’s best friend; a clothes steamer held an inch from the surface, pile facing down, will revive crushed velvet magnificently.

Storing

Store velvet hanging where possible, or folded very loosely in tissue with no sharp creases; a crease pressed into velvet pile can be permanent without careful steaming. Keep away from other garments that might crush the pile. Store in a dark environment.

Wearing

Velvet marks easily: fingerprints, sitting creases, the impression of a button pressed against it. These are mostly temporary and respond to steaming or gentle brushing. Avoid wearing rough textures against velvet.

Chiffon & Voile

silk chiffon · polyester chiffon · cotton voile · georgette

Chiffon and voile exist at the border between being dressed and being wrapped in the idea of dressing. They were made for overlapping, for layering, for the suggestion of a body beneath rather than its full presentation. They are emphatically not practical fabrics. They are for evenings and long summers and photographs.

Washing

Silk chiffon: hand wash in the coolest water, the most minimal soap, the least possible handling. It must not be wrung or even squeezed; roll it in a towel, once, lightly. Dry flat or hung over a towel rail with no pegs, which leave marks. Polyester chiffon will take a gentle machine cycle in a mesh bag. Cotton voile can be hand or delicately machine washed in cool water.

Storing

Store loosely folded or hanging in a breathable garment bag. Silk chiffon is susceptible to snags from rough surfaces, wire hangers, and proximity to embellishments on other garments; it needs a little distance and a little kindness.

Wearing

Chiffon demands that you move through the world with a certain intention: no rushing through narrow doorways, no stuffing into a bag. It is a fabric for being arrived-in rather than transported in. Hang in a steamy bathroom and let the creases release themselves rather than reaching for an iron.

Brocade & Jacquard

silk brocade · cotton jacquard · damask · matelasse

Brocade and jacquard are woven fabrics with a pattern built directly into their structure, not printed or embroidered on, but woven through. The pattern is the cloth and the cloth is the pattern. Historically associated with ceremony and court dress, they reward a certain commitment to occasion.

Washing

Dry clean for most brocades and complex jacquards; the multiple fibres and floats involved in the weave can behave differently when wet. Simple cotton jacquards may be hand washed in cool water with care. When in doubt, do not wash. Air instead.

Storing

Store folded in acid-free tissue, pattern side inward. Avoid folding along the same lines repeatedly; brocade can crack at a crease if stored folded in one position for years. Large pieces are better stored rolled on an acid-free tube. Keep away from light.

Wearing

Brocade is a fabric that knows it is brocade. It holds its shape, announces its presence, and requires very little from you except to wear it without apology. A brocade blazer is best removed before a long dinner.

Silk Organza

plain organza · embroidered organza · printed organza · antique organza

Silk organza is the most architectural of the sheer fabrics; unlike chiffon, which floats, organza holds. It has body. It stands away from itself. This is achieved through a tight twist in the yarn during weaving, which gives it that characteristic stiffness and crispness that makes it ideal for structure: the puffed sleeve, the full skirt, the collar that arrives before the person does. Antique organza is particularly fragile; the fibres weaken with age and can split along fold lines that have been held for decades.

Washing

Hand wash with extreme care in cool water and the smallest possible amount of silk-specific soap, supporting the fabric fully throughout; never allow it to hang under its own weight when wet, as this can tear weakened fibres. Rinse gently. Roll in a towel very lightly. Dry flat, away from light. For antique or heavily embroidered organza: dry clean only, and tell the dry cleaner exactly what it is. For any organza with splits or fragile areas: do not wash. Air only.

Storing

Roll rather than fold where possible; organza retains fold creases with conviction and antique pieces can split along a fold line. If folding is unavoidable, interleave with acid-free tissue at every fold. Store in a breathable environment away from light, which yellows white and ivory organza over time.

Wearing

Organza is not a fabric that forgives being rushed. It snags on jewellery, catches on rough surfaces, and splits at weakened points without warning. Wear it with attention. Handle antique organza pieces as you would handle something that has been waiting a long time to be worn, which is exactly what it has been doing.

Antique Nightgowns & Fine Cotton

cotton lawn · batiste · fine linen · embroidered cotton · broderie anglaise

Antique nightgowns and fine cotton pieces occupy a particular category; they are usually cotton lawn or batiste, often embroidered or trimmed with broderie anglaise or lace, and they are almost always more fragile than they appear. Cotton that is a hundred years old has been weakened by light, by acid in storage materials, by previous washing. It may look robust. It is not. Handle accordingly.

Washing

Hand wash only, in the coolest water, with the gentlest possible soap (ideally a specialist conservation soap or pure unscented soap flakes) conservation soap or pure unscented soap flakes. Do not agitate; submerge and very gently press the water through. Do not wring under any circumstances. Support the full weight of the piece when lifting it from the water; a wet piece of cotton lawn can tear under its own weight. Roll in a clean white towel (coloured towels can transfer dye). Dry flat on a clean white sheet, away from direct sun.

Storing

Store in acid-free tissue inside a breathable cotton or muslin bag (never plastic). Check periodically for yellowing or foxing. If a piece has already yellowed, a specialist textile conservator can sometimes reverse this; it is not a home project. Store flat rather than folded where possible. If folding, change the fold lines periodically to prevent permanent creasing and weakening.

Wearing

With awareness. Antique cotton nightgowns are not for throwing on; they are for occasions when you have the time and attention to be careful. Sit carefully, avoid jewellery with sharp edges, and remove before doing anything that involves water. The embroidery is usually the most fragile part; broderie anglaise with its cut-out work is particularly susceptible to catching and tearing.

Leather

full-grain · top-grain · nappa · patent · vintage leather jackets and coats

Leather is skin. This is worth remembering when caring for it; it has the same relationship to moisture, dryness, and neglect that skin does. Leather that is never conditioned dries and cracks. Leather that is overwet becomes stiff and distorted. Good vintage leather, properly cared for, outlasts almost everything else in the wardrobe. Neglected vintage leather reaches a point of no return faster than you might expect.

Washing

Do not wash leather. Do not put it in water. For surface dirt, wipe with a damp (not wet) cloth and allow to dry naturally away from heat. For deeper cleaning, use a leather-specific cleaner applied sparingly with a soft cloth, working in small sections. Patent leather needs only a wipe with a slightly damp cloth; it does not require conditioning. Dry cleaning is possible for some leathers; specialist leather dry cleaners only, not general dry cleaners.

Storing

Store hanging on a padded hanger; leather holds the shape it is given, and a folded or squashed leather jacket will remember the fold. Cover loosely with a breathable garment bag; never plastic, which causes mildew. Condition the leather before storage with a good quality leather conditioner, which prevents the drying and cracking that happens when leather is inactive for extended periods. Store away from heat sources and direct light, which dry and fade leather.

Wearing

Condition leather every few wearings, or whenever it begins to feel dry or look dull. A small amount of leather conditioner on a soft cloth, buffed in gently, is sufficient. For rain: allow wet leather to dry naturally at room temperature; never near a radiator or in direct sun, which will harden and crack it. Stuff with newspaper while drying to maintain the shape. Hardware (zips, buckles, studs) can be treated with a tiny amount of metal polish on a cloth, avoiding the leather itself.

Suede

suede jackets · suede coats · suede shoes · suede bags

Suede is the underside of leather: the split that reveals the fibrous, velvety interior of the hide. It has a nap, like velvet, which means it has a direction and a particular relationship to light. It is considerably more delicate than full-grain leather, more susceptible to water, to staining, and to the matting of the nap that comes from contact and friction. Vintage suede in good condition is a particular pleasure. Vintage suede that has been rained on without treatment is a different matter.

Washing

Do not wash suede. For surface dirt when dry: a suede brush used gently in the direction of the nap will lift most surface dust and light marks. For stubborn marks: a suede eraser rubbed gently, then brush to restore the nap. For water marks: allow to dry completely, then brush. Water stains on suede are best treated by lightly dampening the whole piece to create an even surface (counterintuitive but effective). For serious stains: specialist suede cleaner, tested first on a hidden area.

Storing

Store in a breathable garment bag away from moisture. Stuff shoes with shoe trees or tissue to maintain shape. Before storing, treat with a suede protector spray, which creates a barrier against moisture and light staining. Reapply every season. Keep away from anything that might press against the nap and flatten it permanently.

Wearing

Spray with suede protector before first wear and after cleaning. Avoid wearing suede in rain if possible; if caught in rain, blot gently with a clean cloth (do not rub), allow to dry naturally away from heat, then brush gently to restore the nap once completely dry. The nap flattens with wear in high-contact areas; a suede brush used regularly keeps it lifted and even.

Embellished Pieces

diamanté · beading · sequins · embroidery · appliqué · feather trim

Embellished pieces are the ones that require the most care and have the fewest reliable rules, because the embellishment changes everything. A silk dress is one care question; a silk dress covered in hand-sewn diamanté is several simultaneously. The embellishment and the base fabric may have entirely different requirements, and the method of attachment is often the most fragile element of all. The adhesive holding a diamanté to a bag, the thread attaching beads to a dress, the wire in a sequin; these age in their own ways and on their own timelines.

Washing

The default for any significantly embellished piece is: do not wash. Spot clean only, with the smallest possible amount of appropriate cleaner on a soft cloth, working around rather than over the embellishment where possible. For beaded or sequinned garments that must be cleaned: hand wash in the coolest water, gently, inside out if possible, supporting the weight of the beading throughout; beads are heavy when wet and can pull stitching. For diamanté: avoid water on the stones where possible, as it can cloud the adhesive and loosen the setting. Dry flat, embellishment side up.

Storing

Store flat or rolled in tissue, never folded at a point where embellishment will be compressed; the embellishment holds the crease and the fabric under it does not recover. For bags: stuff to maintain shape. Check embellishment periodically for loose stones or threads; repair immediately, as one lost stone creates stress on its neighbours. Store away from other garments to prevent snagging.

Wearing

Embellished pieces require the most considered wearing. Sit carefully; sitting on beading compresses it against the fabric and can break the thread. Avoid contact with rough surfaces. Take the piece off before putting it in a bag. Allow it to travel in something protective. The diamanté bag that goes everywhere in a crowded handbag returns with half its stones. The same bag carried in its dust bag arrives intact. It is worth the extra step.

Satin

silk satin · acetate satin · polyester satin · vintage evening wear

Satin is a weave, not a fibre; which is the first thing worth knowing, because it changes the care entirely. Vintage satin is often acetate, which looks and feels similar to silk satin but is made from cellulose acetate and has entirely different vulnerabilities. Acetate melts under a hot iron, dissolves in acetone (nail polish remover), and deteriorates in contact with perfume. Silk satin is more robust but still requires the full silk care approach. When in doubt about fibre content: treat as the most delicate possibility.

Washing

Silk satin: hand wash in cool water as per silk. Acetate satin: hand wash in cool water only, extremely gently; acetate distorts and wrinkles with rough handling when wet and is difficult to restore. Polyester satin: cool machine wash in a mesh bag or hand wash. Never iron acetate satin directly; never use acetone near any satin; keep perfume away from the fabric, not just the label.

Storing

Store hanging on a padded hanger or rolled in tissue. Satin picks up every mark and every crease, and creases in acetate satin can be permanent. Store away from other garments to prevent snags; the satin weave’s long floats catch on absolutely everything.

Wearing

Satin snags. On jewellery, on rough skin, on other fabrics in the same wardrobe. Be conscious of this when dressing and undressing. Avoid contact with perfume on the fabric itself; spray perfume before dressing, allow it to dry completely, then put the garment on. Satin shows every mark in certain lights; check in natural light before wearing.

Taffeta

silk taffeta · acetate taffeta · shot taffeta · moiré

Taffeta is the fabric of particular occasions and particular sounds; it rustles. That distinctive whisper as you move is the result of the crisp plain weave and the specific finish applied to the fabric. Shot taffeta, woven with different colours in the warp and weft, changes colour as it moves, producing the iridescent quality that makes it so distinctive in evening wear. Like satin, vintage taffeta is often acetate; identify the fibre before any cleaning.

Washing

Silk taffeta: hand wash in cool water with extreme care, or dry clean. Acetate taffeta: dry clean only, and specify acetate to the dry cleaner. Water causes acetate taffeta to watermark almost instantly and permanently; even a raindrop will leave a visible mark. If caught in rain: blot immediately with a clean dry cloth, do not rub, allow to dry naturally. Take to a dry cleaner as soon as possible.

Storing

Roll in acid-free tissue rather than fold; taffeta’s crisp weave creates permanent fold lines. Store in a breathable garment bag. The moiré pattern in moiré taffeta is created by a finishing process and can be damaged by pressure; never store moiré taffeta under other garments.

Wearing

Taffeta is theatrical by nature; it announces its presence. The rustle is the whole point. Wear it to things that deserve the sound. Avoid sitting on it for long periods, which creases it. Avoid water. A light steam from a distance of several inches will release light creasing without watermarking; never steam shot or moiré taffeta directly.

Tulle & Net

silk tulle · nylon tulle · cotton net · lace · vintage petticoats

Tulle is an open-weave mesh fabric, traditionally made from silk but most commonly nylon in vintage pieces from the 1950s onwards. It is used for volume: in petticoats, in bridal veils, in the stiffened layers that gave mid-century skirts their characteristic silhouette. Silk tulle is extraordinarily delicate; nylon tulle is more robust but still fragile at its finest weights. Net has a larger, stiffer mesh and is used for stiffening and structure.

Washing

Silk tulle: do not wash. Spot clean only, or professional conservation cleaning. Nylon tulle: hand wash in cool water with the gentlest possible soap, handling minimally. Do not wring or twist; squeeze gently and roll in a towel. Dry by hanging loosely (not pegged) or laying flat. For petticoats with stiffened net: dry cleaning preserves the stiffness, which washing will remove and which is difficult to restore at home. Some vintage petticoat restorers recommend a light sugar-water spray to restore stiffness; this is a specialist technique, not a home one.

Storing

Store hanging where possible, or loosely rolled in tissue (never compressed). A tulle petticoat stored flat under weight will lose its volume and may not recover it. Store in a breathable garment bag away from light, which yellows nylon tulle over time.

Wearing

Tulle catches on everything: rings, rough skin, jewellery, other fabrics. Be conscious of this when putting it on and taking it off. The volume of a layered tulle petticoat is also its fragility; each layer is fine; treat each layer accordingly.

Leather & Suede Shoes

vintage leather shoes · suede shoes · patent leather · heels · flats

Vintage shoes carry a different kind of history to vintage clothing; they have been shaped by a specific foot, and that shaping is both their character and their limitation. The leather has been broken in. The sole has been worn in a particular pattern. The heel has its own story. Caring for vintage leather shoes is about maintaining what remains and preventing further deterioration, rather than returning them to a state of newness.

Washing

Do not immerse leather shoes in water. Clean the upper with a damp cloth for surface dirt, then apply leather conditioner or shoe cream in a matching colour with a soft cloth, buffing to a shine. Polish with a horsehair brush for the final finish. The sole: a damp cloth removes dirt; a cobbler can resole, reheel, or repair leather soles and heels. Patent leather: wipe with a slightly damp cloth and a tiny amount of petroleum jelly to maintain shine; do not use polish on patent. Suede shoes: suede brush for surface dirt; suede eraser for marks.

Storing

Use shoe trees; cedar shoe trees are ideal, as they absorb moisture and maintain the shape. If shoe trees are not available, stuff with acid-free tissue. Store in the original box or in individual shoe bags to prevent dust and prevent shoes from marking each other. Do not store in plastic boxes, which prevent the leather from breathing. For long-term storage, condition before storing.

Wearing

Rotate shoes; leather needs to breathe and rest between wearings. Apply leather conditioner or waterproofing spray before first wear and periodically thereafter. Avoid walking in rain without waterproofing treatment; if wet, allow to dry naturally at room temperature with shoe trees inside, away from heat. Resoling before the sole wears through to the upper extends the life of the shoe significantly; a good cobbler is essential.

Kidswear

cotton · linen · wool & hand-knits · broderie anglaise · embroidered cotton

Vintage baby clothes have survived this long because someone looked after them. The same approach applies now they are yours.

Washing

For cotton and linen pieces, which is most of what is here, hand wash in cool water with a gentle, fragrance-free soap. Baby skin is sensitive. Rinse thoroughly. Lay flat to dry, away from direct sun, which fades and weakens old fibres over time. For wool and hand-knits: cool water, wool wash, pressed rather than agitated, rolled in a towel, dried flat. Never hang a wet knit. Never. For broderie anglaise and heavily embroidered pieces: hand wash only, very gently, and dry flat with the embroidered side face down on a clean towel. This preserves the raised texture of the work.

Storing

Storage between seasons: clean first, always. Fold in acid-free tissue. Keep in a breathable cotton bag or box. These pieces have lasted decades with care. They will last decades more with yours.

Wearing

Some of these are made for a life of being worn; some, the finest and most embroidered, the ones with small buttons and ribbons, are better kept for dressing-up, for photographs, for keeping. Each listing tells you what we think a piece is suited to. And never leave a baby unattended in anything with small or loose parts; beauty and safety are not always the same thing, and safety comes first.