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Front view of the coat on a mannequin, collar folded back into a shawl, belt tied and both buttons closed.
The coat hanging on a door, belt tied at the waist, buttons done up. A quiet piece from a designer better known for noise.
Close view of the shawl collar and two swirled resin buttons closing the wrap front. Cream shading into amber at the centre, like old bone.
Close view of the sleeve hem against window light, showing the fine self-stripe sheen woven through the cloth.
Macro detail of a single swirled resin button against the crinkled fabric. Everything else on this coat is quiet by comparison.
Close view of the angled hip pocket and self-tie belt loop, set on the diagonal into the wrap.
A second front view on the mannequin, showing the full wrap and the angled pockets at the hip.
Close view of the belt tied at the back waist, the knot sitting just above the angled pocket.
Back view of the coat on a mannequin, showing the collar, belt and full length.
Close view of the Lisa Ho label, reading AUS 10, US 6, EUR 36.
The fibre content tag held by hand, reading Lisa Ho, made in Australia, 49 percent nylon, 46 percent cotton, 5 percent polyester, 100 percent acetate lining.
The care label held by hand, reading dry clean only, warm iron, and signed off with enjoy.

Chrysalis · Lisa Ho Early 2000s Cream Wrap Duster Coat

A$175.00



Cotton-nylon blend with a permanent crinkle finish and a soft self-stripe sheen · shawl collar, wrap front with two swirled resin buttons, self-tie belt · Lisa Ho · early 2000s · labelled AUS 10, US 6, EUR 36, length 115cm flat · exhibition condition, no flaws

The buttons are the first thing worth looking at, two wide swirled resin discs the colour of something left out in weather, cream shading into amber at the centre the way old bone does. Everything else on this coat is quiet by comparison, which is clearly the point.

Long before this coat, the wrap belonged to robes and kimonos, to garments closed by the body rather than by hardware, and every wrap coat since has been quietly borrowing that logic. This one wears it lightly: two buttons standing in for what could have been six, a self-tie belt doing most of the actual work, a shape descended from dressing gowns pretending to be outerwear. Lisa Ho is a name better known for colour, beading and spectacle, which makes the restraint here almost an argument in itself, proof that the same hand could do quiet as convincingly as it did loud. That range, more than the label, is what makes a piece worth archiving.

The collar is cut wide and soft enough to wear standing up around the throat or folded back into a shawl, and the coat wraps rather than buttons straight, closing at an angle across the body with those two swirled resin buttons doing the work. A self-fabric belt ties at the waist, and the hip pockets are set on the diagonal rather than straight, angled into the wrap the same way the front closure is. The cloth itself carries a permanent crinkle from the nylon-cotton blend it is woven from, with a faint self-stripe running through it that catches a soft, almost metallic sheen in direct light. The lining is acetate throughout, and her own care label, unusually, signs off with an exclamation mark: dry clean only, warm iron, enjoy.

Material

49% nylon, 46% cotton, 5% polyester. Lining 100% acetate.

Care

Dry clean only. Warm iron.

More on looking after vintage pieces in our care guide.

Size

Measured flat: The label reads AUS 10, US 6, EUR 36. Measured flat: length 115cm, bust 50cm, waist 49cm uncinched, hip 57cm buttoned, sleeve length 48cm, bicep 18cm, cuff 18cm, neck drop 33cm. This is an oversized wrap-style duster with generous built-in ease, so she wears roomier than the tag size alone suggests: comfortably an AU 10 through 14, International S to M, with the self-tie belt adjusting the fit to the body underneath.

Our size guide explains how vintage sizing is read here.

Condition

Exhibition condition. No flaws noted: the resin buttons are both intact and firmly attached, the permanent crinkle finish is even throughout, and the lining shows no wear.

Our condition lexicon explains the grades we use.

Before it reaches you

Someone loved this before you did, and I try to honour that properly. Each piece is hand washed, or cleaned in the way that the fabric permits, then steamed until it softens and straightens and feels newly attended to. Wherever a button was missing, it has been replaced with a vintage one from my long-kept collection. Wherever a hem had given way, I fix it by hand. By the time it leaves this room it is genuinely clean, pressed, whole, and looked over one final time before I let myself believe it is ready. Not restored. Not made new. Just returned to a state where it can be loved again, by someone who was not there the first time.

She was folded for years before anyone let her wrap around a body again, and she has not entirely forgiven the drawer for it. She wraps left over right for no reason anyone can explain, and she will not be argued out of it. Wear her to leave a room slowly, on purpose, in front of people you want to remember it.